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  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Ein Aufstieg durch die Kunst (Ascending Through Art) - Biennale Cuvée.<br />
Turmzimmer (Tower Room) designed by Thomas Macho.<br />
Thomas Putrih, Karton-Kino (Cardboard Cinema).<br />
Karin Fisslthaler, “Anticipation” (video installation).
    20130720_368_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Ein Aufstieg durch die Kunst (Ascending Through Art) - Biennale Cuvée.<br />
Turmzimmer (Tower Room) designed by Thomas Macho.<br />
Thomas Putrih, Karton-Kino (Cardboard Cinema).<br />
Karin Fisslthaler, “Anticipation” (video installation).
    20130720_363_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme<br />
Ein Aufstieg durch die Kunst (Ascending Through Art) - Biennale Cuvée.<br />
VALIE EXPORT, “KALASHNIKOV”, 2007
    20130720_349_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Oberösterreich-Turm (Upper Austria Tower), l.; Wen-Chih Wang<br />
Bamboo Cupula (Bambus-Kuppel), 2013 (r.)
    20130720_650_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View from Oberösterreich-Turm (Upper Austria Tower); Bewegungszirkus (Circus of Movement) in front.
    20130720_553_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Turmbaustelle (make your own tower)
    20130720_375_Hoehenrausch3.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition.
    20081030_084_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition.
    20081030_076_MumokVienna.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Oberösterreich-Turm (Upper Austria Tower)
    20130720_569_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Wasserturm (Water Tower)
    20130720_536_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View from Oberösterreich-Turm (Upper Austria Tower)
    20130720_521_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Kirchtürme der<br />
Ursulinenkirche (St. Ursula Church Towers)
    20130720_458_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View over Pflasterspektakel 2013 from Kirchtürme der<br />
Ursulinenkirche (St. Ursula Church Towers).
    20130720_455_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)
    20130720_464_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Wen-Chih Wang<br />
Bamboo Cupula (Bambus-Kuppel), 2013
    20130720_430_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Oberösterreich-Turm (Upper Austria Tower) and Bewegungszirkus (Circus of Movement)
    20130720_416_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
HÖHENRAUSCH.3 Bar
    20130720_400_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)
    20130720_276_Hoehenrausch3.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..The roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090903_010_Reason_to_Believe.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Video installation with sound contributed by Franz Pomassl (untitled 2008).
    20081030_114_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition.
    20081030_072_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Fast moving white rats projected onto the MUMOK (untitled, 2008).
    20081030_016_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Fast moving white rats projected onto the MUMOK (untitled, 2008).
    20081030_012_MumokVienna.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Oberösterreich-Turm (Upper Austria Tower)<br />
Nicole Schmidt and Heimo Aga
    20130720_578_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Oberösterreich-Turm (Upper Austria Tower)
    20130720_587_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View from Oberösterreich-Turm (Upper Austria Tower)
    20130720_538_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View over Pflasterspektakel 2013 from Kirchtürme der<br />
Ursulinenkirche (St. Ursula Church Towers).
    20130720_485_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View from Kirchtürme der<br />
Ursulinenkirche (St. Ursula Church Towers), r.
    20130720_472_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Kirchtürme der<br />
Ursulinenkirche (St. Ursula Church Towers); Conzett, Bronzini, Gartmann (Switzerland), “Brücken im Himmel”, 2011
    20130720_438_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Wen-Chih Wang<br />
Bamboo Cupula (Bambus-Kuppel), 2013
    20130720_434_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Wen-Chih Wang<br />
Bamboo Cupula (Bambus-Kuppel), 2013
    20130720_428_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Wen-Chih Wang<br />
Bamboo Cupula (Bambus-Kuppel), 2013
    20130720_424_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Bewegungszirkus (Circus of Movement)
    20130720_417_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Oberösterreich-Turm (Upper Austria Tower) and Wasserturm (Water Tower), r.
    20130720_382_Hoehenrausch3.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Video installation with sound contributed by Franz Pomassl (untitled 2008).
    20081030_126_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Video installation with sound contributed by Franz Pomassl (untitled 2008).
    20081030_120_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Video installation with sound contributed by Franz Pomassl (untitled 2008).
    20081030_096_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition.
    20081030_059_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Austrian Chancellor Alfred Gusenbauer holding the opening speech.
    20081030_051_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition.
    20081030_048_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition.
    20081030_024_MumokVienna.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View from Oberösterreich-Turm (Upper Austria Tower)
    20130720_562_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
View from Oberösterreich-Turm (Upper Austria Tower)
    20130720_515_Hoehenrausch3.jpg
  • Linz, Austria. HÖHENRAUSCH.3<br />
Die Kunst der Türme (The Art of Towers)<br />
Conzett, Bronzini, Gartmann (Switzerland), “Brücken im Himmel”, 2011, seen from Kirchtürme der<br />
Ursulinenkirche (St. Ursula Church Towers)
    20130720_503_Hoehenrausch3.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Video installation with sound contributed by Franz Pomassl (untitled 2008).
    20081030_128_MumokVienna.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. Austrian Chancellor Alfred Gusenbauer holding the opening speech.
    20081030_050_MumokVienna.jpg
  • Ronald Kodritsch with his work Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_047_Reason_to_Believe.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_032_Reason_to_Believe.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_014_Reason_to_Believe.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_073_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_026_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_010_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_136_MUMOK.jpg
  • STRABAG C.E.O. Hans-Peter Haselsteiner (r.), MUMOK Director Edelbert Köb (m.), Erwin Wurm (l.).MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_117_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_102_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_080_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_081_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_079_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_071_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_048_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_039_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_031_MUMOK.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..The roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090903_003_Reason_to_Believe.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_037_Reason_to_Believe.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_009_Reason_to_Believe.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_003_Reason_to_Believe.jpg
  • Linz, Cultural Capital of Europe 2009. Schlossmuseum (Castle Museum). Exhibition "Kulturhauptstadt des Fu?hrers" Kunst und Nationalsozialismus in Linz und Obero?sterreich (Cultural Capital of the Fu?hrer?Art and National Socialism in Linz and Upper Austria). Memorial plate of composer Anton Bruckner by Franz Plany, 1938.
    20090120_088_Linz09.jpg
  • SOHO in Ottakring. Yppenplatz. Performance "Kunst ist scho?n, macht aber viel Arbeit" by r.MORITZ at AN-DO restaurant..Now in its 9th year, SOHO in Ottakring is an established art festival in public spaces of Vienna's 16th city district. In cooperation with the local community, up to 200 artists take part in the annual festival at the end of May/beginning of June. The festival is a huge success and has helped develop the formerly neglected and decaying district into a sprawling, 'hip' urban area. More info in German at: www.sohoinottakring.at
    20070519_227_SoHo.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_061_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_040_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_037_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_029_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_024_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_007_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_153_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_130_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_114_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_091_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_090_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_083_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_067_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_062_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_047_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_015_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_004_MUMOK.jpg
  • Museum Quarter (MuseumsQuartier). MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), opening of the Peter Kogler exhibition. From l.: Austrian Chancellor Alfred Gusenbauer, Peter Kogler, MUMOK Director Edelbert Köb.
    20081030_045_MumokVienna.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..The roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090903_006_Reason_to_Believe.jpg
  • Ronald Kodritsch, Reason to Believe, Collage, 2009. Organized by KOER (Kunst im oeffentlichen Raum, Vienna) and sponsored by Wertinvest..Installation of the roof sculpture of a businessman overlooking the corner of Getreidemarkt and Babenberger Strasse, opposite the Museum of Art History..A meditation about the worldwide financial crisis, (self-)exploitation of individuals and modern society as a whole.
    20090901_012_Reason_to_Believe.jpg
  • Linz, Cultural Capital of Europe 2009. Schlossmuseum (Castle Museum). Exhibition "Kulturhauptstadt des Fu?hrers" Kunst und Nationalsozialismus in Linz und Obero?sterreich (Cultural Capital of the Fu?hrer?Art and National Socialism in Linz and Upper Austria). Bust of Adolf Hitler, probably by Wilhelm Nida-Ru?melin, 1942. A photo of Hitler's visit at the Landesmuseum on April 4, 1938, as well as the guestbook with his signature and the desk at which he sat, on that day.
    20090120_083_Linz09.jpg
  • Linz, Cultural Capital of Europe 2009. Schlossmuseum (Castle Museum). Exhibition "Kulturhauptstadt des Fu?hrers" Kunst und Nationalsozialismus in Linz und Obero?sterreich (Cultural Capital of the Fu?hrer?Art and National Socialism in Linz and Upper Austria). Tapestry "Des Fu?hrers Heimatgau" after a design by Karl Sellners, 1940.
    20090120_073_Linz09.jpg
  • SOHO in Ottakring. Yppen Arts Club, "Kunst & Liebe" (Art & Love) by Anne Macchietto della Rossa..Now in its 9th year, SOHO in Ottakring is an established art festival in public spaces of Vienna's 16th city district. In cooperation with the local community, up to 200 artists take part in the annual festival at the end of May/beginning of June. The festival is a huge success and has helped develop the formerly neglected and decaying district into a sprawling, 'hip' urban area. More info in German at: www.sohoinottakring.at
    20070519_425_SoHo.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061018_043_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_172_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_148_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_145_MUMOK.jpg
  • STRABAG C.E.O. Hans-Peter Haselsteiner (l.), MUMOK Director Edelbert Köb (2nd from l.), Erwin Wurm (r., w. Leica).MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_106_MUMOK.jpg
  • STRABAG C.E.O. Hans-Peter Haselsteiner (l.), MUMOK Director Edelbert Köb (2nd from l.), Erwin Wurm (r., w. Leica).MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061017_105_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_054_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_050_MUMOK.jpg
  • MUMOK (Museum Moderner Kunst), Vienna. Exhibition of Austrian artist Erwin Wurm. "His most recent prominent work, visible from afar, is the object ?House Attack?, installed on MUMOK's external façade: the single family house as a symbol of the everyday, privacy, as well as small-mindedness explodes like a bomb into the façade of the museum ? the institutionalized museum temple. In its visual presence ?House Attack? represents an ambivalent metaphorics exemplary for the current work of the artist, a focus of the exhibition."
    20061016_037_MUMOK.jpg
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